May 28 May 28 Just a Lovely 6/8 Dream: Symmetrical Compound Meter in Vanessa Carlton's "Ordinary Day" Emily Langerholc meter
Sep 13 Sep 13 A Funky, Chromatic, Modal Feel: Phrygian Mode (maybe?) in Lizzo's "Rumors" Emily Langerholc modes
Apr 12 Apr 12 Oh Clap Your Hands: A Phenomenological & Non-Exhaustive Analysis of Handclaps in Popular Songs (Part I) Emily Langerholc chart analysis, list making, popular music history
Oct 25 Oct 25 An explosive key change: Diatonic Pivot Modulation in BTS's "Dynamite" Emily Langerholc modulation
Dec 30 Dec 30 Number Ones of the 2010s: Part II Emily Langerholc chart analysis, popular music history
Oct 7 Oct 7 An In-Your-Face 50s-Style Love Ballad: Symmetrical Compound Meter in Lizzo's "Cuz I Love You" Emily Langerholc meter
Jan 16 Jan 16 That Leading Tone, Though: Ascending Minor Second in Young the Giant's "Simplify" Emily Langerholc intervals
Oct 8 Oct 8 Too-ra-loo Indeed: Common Tone AND Diatonic Pivot Modulation in Dexys Midnight Runners' "Come on Eileen" Emily Langerholc modulation
Sep 6 Sep 6 A Rolling Amen: Ascending Perfect Fourth Interval & Aeolian Mode in Adele's "Rolling in the Deep" Emily Langerholc intervals
Aug 22 Aug 22 Nothing But Key Changes: Flattened Submediant & Direct Modulation in Whitney Houston's "I Have Nothing" Emily Langerholc modulation
Jun 15 Jun 15 Mimicking the NBC Motif: Ascending Major Sixth Interval in Carly Rae Jepsen's "Call Me Maybe" Emily Langerholc intervals
Jun 13 Jun 13 Perfect Interval in the Pre-Chorus: Ascending Perfect Fifth in Taylor Swift's "I Knew You Were Trouble" Emily Langerholc intervals
Jun 11 Jun 11 Minor Key Apocalypse: Aeolian Mode & Cross-Rhythms (?) in Britney Spears's "Til the World Ends" Emily Langerholc modes, cross rhythms
Apr 10 Apr 10 Slow Symmetry, Easily Countable: Symmetrical Compound Meter in A Great Big World's "Say Something" Emily Langerholc meter
