Oct 23 Oct 23 Minor Mode = Party Mode: Aeolian Mode in Katy Perry's "Part of Me" Emily Langerholc modes
Sep 1 Sep 1 Your Favorite 90s Key Change?: Diatonic Pivot Modulation in the Backstreet Boys' "I Want It That Way" Emily Langerholc modulation
Aug 30 Aug 30 Bubblegum Gymnopedie: Classical Samples in Janet Jackson's "Someone to Call My Lover Emily Langerholc classical samples
Jan 9 Jan 9 Two Time Signatures at Once: Cross-Rhythm in Tears for Fears's "Everybody Wants to Rule the World" Emily Langerholc cross rhythms
Aug 30 Aug 30 Ascending Major Sixth (and Perfect Fifth) in Robbie Williams's "Angels" Emily Langerholc intervals
Jul 25 Jul 25 Not at All the Change You Expect: Minor to Major Modulation in Ace of Base's "The Sign" Emily Langerholc modulation
Jul 22 Jul 22 Triple Beats Moving Quickly: Symmetrical Compound Meter in Michael Jackson's "The Way You Make Me Feel" Emily Langerholc meter
Jul 18 Jul 18 Yes, Those Are High Notes: Major Seventh Interval in A-ha's "Take on Me" Emily Langerholc intervals
Jun 6 Jun 6 Mournful Massive Minor Intervals: Minor Sixth in Sinead O'Connor's "Nothing Compares 2 U" Emily Langerholc intervals
May 10 May 10 Classic Teaching Example: Direct Modulation and Descending Major Sixth in Michael Jackson's "Man in the Mirror" Emily Langerholc modulation, intervals
