Oct 8 Oct 8 Too-ra-loo Indeed: Common Tone AND Diatonic Pivot Modulation in Dexys Midnight Runners' "Come on Eileen" Emily Langerholc modulation
Sep 25 Sep 25 Three Chas & Four Chings: Asymmetrical Simple Meter in Pink Floyd's "Money" Emily Langerholc meter
Sep 7 Sep 7 A Meme-ified Motif: Descending Major Second in Rebecca Black's "Friday" Emily Langerholc intervals
Sep 6 Sep 6 A Rolling Amen: Ascending Perfect Fourth Interval & Aeolian Mode in Adele's "Rolling in the Deep" Emily Langerholc intervals
Sep 3 Sep 3 Ice Cream Truck Calling: Descending Perfect Fourth in The Smashing Pumpkins' "Today" Emily Langerholc intervals
Aug 24 Aug 24 A Fine Line to Walk: Direct Modulation (Repeatedly) in Johnny Cash's "I Walk the Line" Emily Langerholc modulation
Aug 22 Aug 22 Nothing But Key Changes: Flattened Submediant & Direct Modulation in Whitney Houston's "I Have Nothing" Emily Langerholc modulation
Aug 2 Aug 2 Dark Magic in 6/8 Time: Symmetrical Compound Meter in Screamin' Jay Hawkins's "I Put a Spell on You" Emily Langerholc meter
Jul 30 Jul 30 Creepy Triplets: Symmetrical Compound Meter in The Animals' "House of the Rising Sun" Emily Langerholc meter
Jul 27 Jul 27 Don't Count It Forever: Changing Meter in Dream Theater's "Dance of Eternity" Emily Langerholc meter
