Aug 11 Aug 11 The Devil's Notes: Tritone Interval in Black Sabbath's "Black Sabbath" Emily Langerholc intervals
Aug 11 Aug 11 Fear & Confusion Expressed in Time Signature Changes: Changing Meter in XTC's "Great Fire" Emily Langerholc meter
Aug 9 Aug 9 From Harried to Hopeful: Minor to Major Key Change in Fastball's "The Way" Emily Langerholc modulation
Aug 9 Aug 9 Prog & Pop Simultaneously: Changing Meter in Genesis's "Turn It on Again" Emily Langerholc meter
Aug 8 Aug 8 A Hip-Hop Music History Mini-Seminar: Jazz Samples in Gang Starr's "Jazz Thing" Emily Langerholc jazz samples
Aug 8 Aug 8 The Catchiest Meter Trick: Changing Meter in Dionne Warwick's "I Say a Little Prayer" Emily Langerholc meter
Jul 27 Jul 27 Shifting the Pace: Changing Meter in The Toadies' "Possum Kingdom" Emily Langerholc meter
Jul 25 Jul 25 Not at All the Change You Expect: Minor to Major Modulation in Ace of Base's "The Sign" Emily Langerholc modulation
Jul 22 Jul 22 Triple Beats Moving Quickly: Symmetrical Compound Meter in Michael Jackson's "The Way You Make Me Feel" Emily Langerholc meter
Jul 21 Jul 21 Uncertainty Emerges in a New Key: Chromatic Pivot Modulation (maybe?) in XTC's "Senses Working Overtime" Emily Langerholc modulation
Jul 20 Jul 20 Removing Just Two Beats: Changing Meter in Rick Springfield's "Jesse's Girl" Emily Langerholc meter
Jul 19 Jul 19 A Change in the Story: Picardy Third in Lionel Richie's "Hello" Emily Langerholc cadence
Jul 18 Jul 18 Yes, Those Are High Notes: Major Seventh Interval in A-ha's "Take on Me" Emily Langerholc intervals
