Jan 31 Jan 31 Don't Trip on the 3/4 Measure: Changing Meter in Blondie's "Heart of Glass" Emily Langerholc meter
Aug 29 Aug 29 Unusual Markers: Mixolydian Mode & Asymmetrical Simple Meter in the Foo-Fighters' "Times Like These" Emily Langerholc meter, modes
May 30 May 30 Intended to Trick You: Changing Meter & Deceptive Cadence in Outkast's "Hey Ya" Emily Langerholc cadence, meter
May 26 May 26 It's Me, Cathy: Changing Meter in Kate Bush's "Wuthering Heights" Emily Langerholc meter
May 25 May 25 Creatures of 5/4: Asymmetrical Simple Meter & Cross-Rhythm in Muse's "Animals" Emily Langerholc cross rhythms, meter
May 18 May 18 The Spoons Are Shifting: Changing Meter in Soundgarden's "Spoonman" Emily Langerholc meter
Feb 20 Feb 20 Direct (???) Modulation & Symmetrical Compound Meter in Queen's "We Are the Champions" Emily Langerholc meter, modulation
Jan 11 Jan 11 Metal Meets Mozart?: Classical Samples in Evanescence's "Lacrymosa" Emily Langerholc classical samples, meter
Jan 10 Jan 10 Up the Hill, Seven Steps at a Time: Changing Meter (emulating Asymmetrical Simple Meter!) in Peter Gabriel's "Solsbury Hill" Emily Langerholc meter
Jan 10 Jan 10 Typical Rush Time Changes: Changing & Asymmetrical Compound Meter in Rush's "Tom Sawyer" Emily Langerholc meter
Dec 5 Dec 5 Asymmetrical Simple Meter in XTC's "When You're Near Me I Have Difficulty" Emily Langerholc meter
Oct 11 Oct 11 Asymmetrical Compound Meter in David Bowie's "Up the Hill Backwards" Emily Langerholc meter