Oct 8 Oct 8 Too-ra-loo Indeed: Common Tone AND Diatonic Pivot Modulation in Dexys Midnight Runners' "Come on Eileen" Emily Langerholc modulation
Sep 6 Sep 6 A Rolling Amen: Ascending Perfect Fourth Interval & Aeolian Mode in Adele's "Rolling in the Deep" Emily Langerholc intervals
Jul 30 Jul 30 Creepy Triplets: Symmetrical Compound Meter in The Animals' "House of the Rising Sun" Emily Langerholc meter
Jul 17 Jul 17 Working on the Six-Eight Sway: Symmetrical Compound Meter in Kate Bush's "Suspended in Gaffa" Emily Langerholc meter
May 30 May 30 Adding to the Original: Deceptive (???) Modulation & Cadential Extension (???) in Kirsty MacColl's "A New England" Emily Langerholc modulation, cadence
May 18 May 18 Traveling Key Changes: Two Altered Common Chord Modulations in Oasis's "All Around the World" Emily Langerholc modulation
May 26 May 26 It's Me, Cathy: Changing Meter in Kate Bush's "Wuthering Heights" Emily Langerholc meter
May 25 May 25 Creatures of 5/4: Asymmetrical Simple Meter & Cross-Rhythm in Muse's "Animals" Emily Langerholc cross rhythms, meter
Feb 20 Feb 20 Direct (???) Modulation & Symmetrical Compound Meter in Queen's "We Are the Champions" Emily Langerholc meter, modulation
Jan 9 Jan 9 Two Time Signatures at Once: Cross-Rhythm in Tears for Fears's "Everybody Wants to Rule the World" Emily Langerholc cross rhythms
Dec 5 Dec 5 Asymmetrical Simple Meter in XTC's "When You're Near Me I Have Difficulty" Emily Langerholc meter
Nov 28 Nov 28 Classical Samples in Pet Shop Boys' "All Over the World" Emily Langerholc classical samples
Oct 3 Oct 3 Direct Modulation and Symmetrical Compound Meter in The Zombies' "This Will Be Our Year" Emily Langerholc meter, modulation
