Sep 25 Sep 25 Three Chas & Four Chings: Asymmetrical Simple Meter in Pink Floyd's "Money" Emily Langerholc meter
Feb 21 Feb 21 Introducing Uncharted Territory: Tritone Interval in the Jimi Hendrix Experience's "Purple Haze" Emily Langerholc intervals
Feb 20 Feb 20 Direct (???) Modulation & Symmetrical Compound Meter in Queen's "We Are the Champions" Emily Langerholc meter, modulation
Oct 11 Oct 11 Asymmetrical Compound Meter in David Bowie's "Up the Hill Backwards" Emily Langerholc meter
Oct 3 Oct 3 Direct Modulation and Symmetrical Compound Meter in The Zombies' "This Will Be Our Year" Emily Langerholc meter, modulation
Aug 12 Aug 12 Uneven Groove: Asymmetrical Compound Meter in Frank Zappa's "Thirteen" Emily Langerholc meter
Aug 11 Aug 11 The Devil's Notes: Tritone Interval in Black Sabbath's "Black Sabbath" Emily Langerholc intervals
Aug 9 Aug 9 Prog & Pop Simultaneously: Changing Meter in Genesis's "Turn It on Again" Emily Langerholc meter
Jul 6 Jul 6 A Journey Through a Strange Modal Territory: Phrygian Mode in Jefferson Airplane's "White Rabbit" Emily Langerholc modes
May 30 May 30 Hard-Hitting Triplets: Crossrhythms in Kansas's "Carry on My Wayward Son" Emily Langerholc cross rhythms
